The voices of those who remain, those" Voices of Solidarity "
National Stadium again filled with excitement, shouting and solidarity on the night of August 15. Already surprised to see the Colossus of José Díaz packed with over 40 thousand people united in favor of educating children of Ica, Chincha and Pisco.
We arrived at 8:20 to 1:00 West gallery crammed with people listening as Belanova Mexicans gave the last gasps of a light presentation. 10 minutes later found a pair of seats that allowed us to endure the nearly six-hour concert. Unfortunately we had already lost the G Man, who opened the concert, and overwhelmed me the trouble of not bringing a camera (criminal a photographer) to capture the spectacle that saw the Jose Diaz.
more comfortable Raúl Romero and who is not and who knows what started tinkering with his memorable "Magdalena" (Black, bold, black &%$&) and send their "Torres" the hall of memories (a concert in av. Brazil that I took my mother as a puppy). Song that disappeared at the end of the nineties by a warm position of the group against a government other abominable. The truth is that much of the public mistook his sarcastic attitude, essence of the group, with a rebellious attitude, which really lack.
while sipping a good sausage sandwich appeared Amaia Montero, leader of the Basque band "La Oreja de Van Gogh" (the shortest night and this paragraph).
David Bisbal, to my surprise, took over the reins of the concert. Even a "Hail Mary" to encourage the faithful of the place who paid homage to his "Buleria". So there was a time to sing a duet with Raphael endless. The powerful voice as both Raphael Eva Ayllón was the middle of the night. Both gave tribute to their origins. And is that "Whatever they say is Raphael" and "I told Dad I love you Eva Ayllón.
bones with almost destroyed by the chair I had sat listening hours as the popular "Casper" demonstrated the value of a Peru. The mixture of Andean rhythms (between Arequipa and Ayacucho) sung in Quechua and voiced by a charanguito was one of the highlights of the night. Then sorpedrendíó people to sing a duet with Alejandro Sanz "Corazón Partío."
Although I am not a fan of Alejandro Sanz have attended their last three concerts (not by him but by the good company) and empiricist way I can testify that the singer is most welcome that I have heard. God every time I went a closeup of her face in one of the four displays decorating the stadium was more about getting a hearing Standing by the howls of a pack of estrogenarias. That popularity was given the luxury of playing about an hour while the rest just 30 minutes. And although he was the only one who failed to properly use the gateway scenario, the presentation was undoubtedly the most celebrated, expected, and surprise of the night. To say that about half of the audience began to leave after your presentation.
Those who stayed were the warriors who wanted to see just a Fito Paez inspired. The stadium echoed with their "11 and 6" and "Butterfly teknicolor." And finally, who more than our Vétiz Pedrito Suarez, who closed the night with his "Balloons of Heaven ", who also served as presenter improvised by asking all the artists who go back up to say goodbye.
The only unpleasant for the evening was the poor job that was made for audio, who else was Pedro Suarez suffered at various times ran out of mic. For the next more carefully, because that is a benefit concert does not remove the responsibility to ensure these details. In the end, however, was another night of mixing between brotherly countries. Spain, Argentina and Mexico gave him a big hug to Peru. And can only hope that I raised a million dollars in a good way for children of Ica, Chincha and Pisco who were enjoying the show live on giant screens.
"We hope to be the same organizers who perform the work or through audits are aware of where the money is hard, because we witness the government's inefficiency in the distribution of aid."